Wallace Stevens is one of America’s most respected 20th century poets. He was a master stylist, employing an extraordinary vocabulary and a rigorous precision in crafting his poems. But he was also a philosopher of aesthetics, vigorously exploring the notion of poetry as the supreme fusion of the creative imagination and objective reality.
The west wind was the music, the motion, the force To which the swans curveted, a will to change, A will to make iris frettings on the blank. There was a will to change, a necessitous And present way, a presentation, a kind Of volatile world, too constant to be denied, The eye of a vagabond in metaphor That catches our own. The casual is not Enough. The freshness of transformation is The.
Now Milton J. Bates, the author of the acclaimed Wallace Stevens: A Mythology of Self, has edited and revised Opus Posthumous to correct the previous edition's errors and to incorporate material that has come to light since original publication. A third of the poems and essays in this edition are new to the volume. The resulting book is an invaluable literary document whose language and.As the figure of Wallace Stevens (1879-1955) becomes so entrenched in the Modernist canon that he serves as a major reference point for poets and critics alike, the time has come to investigate poetry and poetics after him. The ambiguity of the preposition is intentional: while after may refer neutrally to chronological sequence, it also implies ways of aesthetically modeling poetry on a.Wallace Stevens was born in Reading, Pennsylvania, in 1879 and died in Hartford, Connecticut, in 1955.Harmonium, his first volume of poems, was published in 1923, and was followed by Ideas of Order (1936), The Man with the Blue Guitar (1937), Parts of a World (1942), Transport to Summer (1947), The Auroras of Autumn (1950), The Necessary Angel (a volume of essays, 1951), The Collected Poems of.
Reality in Wallace Stevens’ The Man with the Blue Guitar For Wallace Stevens, reality is an abstraction with many perspective possibilities. As a poet, Stevens struggles to create original perspectives of reality. Wallace Stevens creates a new, modern reality in his poetry. Actually, Stevens decreates reality in his poetry. In The Necessary Angel, Stevens paraphrases Simone Weil’s coinage.Read More
Wallace Stevens was born in Reading, Pennsylvania, on October 2, 1879. He attended Harvard University as an undergraduate from 1897 to 1900. He planned to travel to Paris as a writer, but after a working briefly as a reporter for the New York Herald Times, he decided to study law.He graduated with a degree from New York Law School in 1903 and was admitted to the U.S. Bar in 1904.Read More
Wallace Stevens Essay, Research Paper. Wallace Stevens. One poet whose work you can truly appreciate is. Wallace Stevens. Even though his poesy contains really. complex and lyrical vocabulary and his work is symbolic in. content, a reader can still happen ways to truly bask the. verse forms. Stevens seems to be about musical in his work. The.Read More
Links and Tools Poems, Recordings, and Other Resources. The Friends and Enemies of Wallace Stevens: a non-profit organization devoted to “preserving the literary arts and promoting the cultural legacy of Wallace Stevens.”; Wallace Stevens at PennSound: all known recordings of Stevens reading his poetry.; The Voices and Visions episode about Wallace Stevens: PBS documentary on Stevens now.Read More
American poet Wallace Stevens (1879-1955) was a virtuoso of language, a master of rhyme and verbal music, of gay and thoughtful rhythms, and of precise and exotic diction. Wallace Stevens was a successful lawyer and businessman, as well as an important poet. But too much has been made of the combination of esthete and businessman in him. Poetry for him.Read More
A Year with Wallace Stevens. By Greg Gerke. A few summers ago I returned to Eugene, Oregon, a town I once lived in for six years. The pragmatic, but cold and sterile University library named Knight, one of my favorite haunts for its quietude, stands on a slope, straightened onto earth that rises into the damp soil of a small, nearby cemetery maintained since 1873. Douglas Firs dot this.Read More
That music is intensest which proclaims The near, the clear, and vaunts the clearest bloom, And of all the vigils musing the obscure, That apprehends the most which sees and names, As in your name, an image that is sure, Among the arrant spices of the sun, O bough and bush and scented vine, in whom We give ourselves our likest issuance. Yet not too like, yet not so like to be Too near, too.Read More
Informed by the latest developments in the field, but written in clear, jargon-free prose, Wallace Stevens in Context is an indispensable introduction to this great modern poet. Reviews 'Stevens will never be reduced to context. But in helping us see the ways he interacts with context, and in shifting lenses to gain a prismatic sense of this poet’s range and complexity, Stevens in Context is.Read More
Wallace Stevens: Collected Poetry and Prose is the best single collection of Stevens' work I have found yet. The inclusion of his essays as well as his verse provides deeper insight into the mind and life of this poet. If your're looking to give someone a gift of some substance, this volume is perfect. While larger in size than most volumes of poetry (it contains, after all, Stevens' published.Read More
Wallace Stevens (1879-1955) was an American modernist poet. He was born in Reading, Pennsylvania, educated at Harvard and then New York Law School, and he spent most of his life working as an executive for an insurance company in Hartford, Connecticut. He won the Pulitzer Prize for Poetry for his Collected Poems in 1955.Read More